The painting is actually inscribed with the day (1624) and also the sitter’s age (twenty six). The dazzling costume might provide several essential clues, however. This effort is most likely the artist’s most popular portrait and also displays the virtuosity of his in the lively characterisation of the sitters of his, achieved in his bravura design.
The portrait displays a multitude of brushwork, from good, combined strokes in the facial skin to the broader, unfastened brushwork in the costume. The movie star of the Laughing Cavalier consequently inspired a novel with exactly the same name by Baroness Orczy (1913), writer of the Scarlet Pimpernel, along with a musical by Byrne and Arkell (1937).